Composition for Film and Theatre

Choral Music for Composers

Classical Orchestration 1

Classical Orchestration 2

Classical Orchestration 3

Communication

Composing for Commercials (Jaap Berends)

Composing with AI (AI-Powered Promotional Content Creation for Music, Audio and Video)

Composition for Games (Michael Firmont)

Composition Projects 1

Composition Projects 2

Composition Projects 4: FAMES! Orchestra

Composition Techniques

Composition Techniques 1

Composition Techniques 2

Counterpoint and Voice Leading 1

Counterpoint and Voice Leading 2

Critical Response Process

Dramaturgy for Theatre

Electives

Ensembles & Instruments

Entrepreneurship

Film Music History and Aesthetics

Film Music History and Aesthetics 2: Special Topics

Final Presentation

General Conducting

Guest Teachers Composition for Film and Theatre

Guest Teachers Composition for Film and Theatre 34

Harmony at the Piano Classical 1

Harmony at the Piano Classical 2

Harmony at the Piano Classical 3

Harmony at the Piano Classical 4

Harmony at the Piano Jazz & Pop 1

Harmony at the Piano Jazz & Pop 2

Interdisciplinary Project 1

Jazz & Pop Arranging 1

KONTAKT Ninja (Magnus Reichel)

Main Subject Composition 1

Main Subject Composition 2

Main Subject Composition 3

Main Subject Composition 4

Media Scoring Techniques

Methodology Composition for Film and Theatre

Music History Classical Music

Music History Jazz & Pop

Music Theory 1

Music Theory 2

Music Theory 3

Music Theory CFT 3

Music Theory Classical 1

Music Theory Classical 2

Opera Work Group (Sjaron Minailo)

Portfolio Presentation / Audition Year 3

Portfolio Presentation Year 1

Production Lab 1

Production Lab 2*

Production Lab 3

Production Lab 4

Production via Remote Control (Magnus Reichel)

Research

Rhythm Lab 1

Sound Synthesis & Signal Processing (Tobias Hartmann)

Start Project Week

Study Group 1

Study Group 2

Surround Sound Practice

The Mind’s Ear (Olaf Krause)

The Overview

Traineeship