Composition for Film and Theatre

Choral Music for Composers

Classical Orchestration 1

Classical Orchestration 2

Classical Orchestration 3

Communication

Composing for Commercials (Jaap Berends)

Composing with AI (AI-Powered Promotional Content Creation for Music, Audio and Video)

Composition for Games (Michael Firmont)

Composition Projects 1

Composition Projects 2

Composition Projects 4: FAMES! Orchestra

Composition Techniques

Composition Techniques 1

Composition Techniques 2

Counterpoint and Voice Leading 1

Counterpoint and Voice Leading 2

Critical Response Process

Dramaturgy for Theatre

Electives

Ensembles & Instruments

Entrepreneurship

Film Music History and Aesthetics

Final Presentation

General Conducting

Guest Teachers Composition for Film and Theatre

Guest Teachers Composition for Film and Theatre 34

Harmony at the Piano Classical 1

Harmony at the Piano Classical 2

Harmony at the Piano Classical 3

Harmony at the Piano Classical 4

Harmony at the Piano Jazz & Pop 1

Harmony at the Piano Jazz & Pop 2

Interdisciplinary Project 1

Jazz & Pop Arranging 1

KONTAKT Ninja (Magnus Reichel)

Main Subject Composition 1

Main Subject Composition 2

Main Subject Composition 3

Main Subject Composition 4

Media Scoring Techniques

Methodology Composition for Film and Theatre

Music History Classical Music

Music History Jazz & Pop

Music Theory 1

Music Theory 2

Music Theory 3

Music Theory CFT 3

Music Theory Classical 1

Music Theory Classical 2

Opera Work Group (Sjaron Minailo)

Portfolio Presentation / Audition Year 3

Portfolio Presentation Year 1

Production Lab 1

Production Lab 2*

Production Lab 3

Production Lab 4

Production via Remote Control (Magnus Reichel)

Research

Rhythm Lab 1

Sound Synthesis & Signal Processing (Tobias Hartmann)

Start Project Week

Study Group 1

Study Group 2

Surround Sound Practice

The Mind’s Ear (Olaf Krause)

The Overview

Traineeship